Tango Opera X Contemporary Dance X Live Music Performance Maria de Buenos Aires Unfurls the New Dance Season with the Charm of Dance and Tango Opera
[vc_row enable_arrows_animation="no"][vc_column][vc_empty_space][eltdf_banner hover_behavior="eltdf-disabled" info_position="default" image="26467"][vc_column_text](Hong Kong, 21st April, 2022) With the gradual relaxation of social distancing measures and the reopening of performance venues, City Contemporary Dance Company (CCDC) presents the Hong Kong premiere of Maria de Buenos Aires, directed and choreographed by internationally renowned choreographer Helen Lai. She joins forces with dance artists and musicians from CCDC and beyond to reveal the cross-genre charm of dance and tango opera. The performance will be staged from 13th to 15th May 2022 at Auditorium, Kwai Tsing Theatre. Tickets are now available at art-mate.net. Under the mysterious aura of Maria de Buenos Aires where the real collides with the imagined, Maria transcends life and death in a story entangled in destruction and redemption, setting in Buenos Aires, Argentina. The Hong Kong premiere line-up brings together internationally esteemed choreographer Helen Lai, young conductor Vivian Ip, multi-award-winning local opera singer Carol Lin, and Bel Canto Singers Artistic Director and opera singer David Quah, along with a live music ensemble and CCDC dance artists. The team is determined to demonstrate the trans-disciplinary allure of dance and music. Argentine composer Astor Piazzolla was acclaimed as the King of Tango. During his lifetime, he was the soul of tango music. Even until today, he is still one of the most celebrated composers internationally. 2022 marks the 30th anniversary of his passing. Director and choreographer Helen Lai would like to take this opportunity to present Piazzolla’s only published tango operita, Maria de Buenos Aires, as a tribute to the musical giant. Maria de Buenos Aires is a collaborative production between CCDC and Taiwan’s Weiwuying. Premiered in Taiwan last year, the production was critically acclaimed by dance critics and audience alike. “The reason why Maria de Buenos Aires was so wonderful was its perfect integration of music, dance, literature and theatre executed precisely and