《乜》跨界舞蹈試煉場 2022
《Sensing Adjacency 傳感鄰接》編舞：譚之卓
《傳感鄰接》
之卓的實驗性創作目的是探索舞者與化身的關係。她研究動作捕捉舞蹈的表演形式。舞作分享的是一個人感知到失去信息的過程。舞者面臨對數據的不信任，但是她/他/它從多個傳感器中發現新連接。
傳感器，又名換能器，是一種用於感測物理現象而產生輸出信號的設置。傳感器的種類很多。大多數動作捕捉套裝都使用慣性測量單元，特性是收集波動、旋轉、壓力等變化趨勢到樞紐。然後計算系統將數據轉換為虛擬環境中化身的運動。
排練中舞者演繹不同分身，洞察具身化的反饋。編舞的任務之一是研究身體的軸線如何聯繫著動畫，讓電腦系統持續計算化身胯部與地面的距離，解決下沈的技術問題和發現化身表達的語彙。參與此製作的創作者們學習新的方式，及協調合作的流程。
未完…
Sensing Adjacency
Zelia’s experimental creation aimed to explore the relationships between dancer and their avatar. She researched motion capture (mocap) dance as the form of performance. The work shared the process where one senses the loss of information. The dancer faced a distrust of data, but s/he/it discovers new connections from multiple sensors.
A sensor, aka transducer, is a device that produces an output signal for sensing a physical phenomenon. There are many types of sensors. Most of the mocap suits use the Inertial Measurement Unit (IMU), which collects fluctuations, rotation, pressure, and other trends to a hub. The computing system converts the data to trigger the avatar to move into virtual environment.
In the rehearsal, the dancer interpreted different avatars, observing the embodied feedback. One of the choreographic tasks was to study how the axis of the body is connected to animation, allowing the computer system to calculate the distance between the avatar’s crotch and the ground. The choreographer tried to solve the technical problem of sinking and discovering the avatar’s mode of expressions. The creators involved in this production learned new approaches to collaboration.
To be continued……
靈魂具現化
2月8日（晴）
驅動
2月18日（雨）
閃定
3月1日（晴）
焦跡
3月9日（晴）
緩及
3月10日（晴）
*A Letter to Z from A*
Hello, nihao：
I have to go now, I have to go right away, where are you?
Is 20:47 here. What is the time? What is your time?
Hello…… how to say “Hallo” in your language?
Are you there? Are you still there?
I hear your breathing, no, I don’t.
Are you breathing? Or you don’t take oxygen?
May I know your name?
Let’s have a handshake. How to do a handshake?
It’s great connecting with you.
I am A.
(By Melissa 2022-3-21)
聲環
3月23日（陰）
《Sensing Adjacency 傳感鄰接》
編舞/舞者/多媒體設計
譚之卓
化身設計
Guido STUCH
聲音設計
何咏川
服裝設計
葉頌恩
製作經理
張詠宜
攝影師
黃漢樑
劇場構作
梁曉端
顧問
伍宇烈
舞台監督及技術支援
李泳蓮，周樂芝，羅嘉敏
行政
謝嘉豪，駱俊朗
支持
城市當代舞蹈團，香港演藝學院舞蹈學院，Cie Gilles Jobin